The evolution of these rich and varied ceramic techniques permeates my works as a contemporary ceramic artist and provides a unique glimpse into the past through the present. The juxtaposition of these techniques outside a framework of traditionalism enables me to explore the irony in the making of ceramic objects in an age where they are entirely irrelevant.

Beyond techniques, my interest in working with a wide range of clay bodies and decorative finishes continuously reinforces the rich heritage of ceramics in several different cultural traditions.

My life’s work is my love for expressing my feelings through all forms of art-from the most unassuming object to the most exalted. As such, the imagery embodied in my pots tends to reflect the underlying archetypes of the human condition regardless of time period or cultural beliefs.